How do you respond to the
implication from literary snobs that chick-lit label must be poorly written as
your books aren't so?
It’s actually very sad that people
classify books and then they dismiss them. When I wrote my book I didn’t think
it would be a chick lit. But people immediately presumed it would be so because
it had a female protagonist. Then they said “oh it will be like any other book”
without even reading it. But Losing My Virginity And Other Dumb Ideas went on to
sell 50,000 copies and Mistakes Like Love And Sex has already sold 20,000
copies. Still people won’t invite me to Literature festivals as my books are
not “literary.” I’m trying to bring about different layers in my books – a
sexually repressed society, a search for identity, a need for economic
independence, empowering women about their bodies, strife in domestic
households between an old era and a new age. If I put all that on the back
cover, change the cover to an abstract painting and use a title like “whispering
wind” maybe I might be taken seriously. The content will never change. But we
live in a world where people still judge you for all those factors rather than
the content.
Though there are several nicely
written, warm, funny and insightful examples of chick-lit, the quality of the
work mostly gets ignored. Does that trouble you?
Yes. Also my work cannot be just labeled as chick lit. It’s edgy and
serious and insightful. No other contemporary author has written about bedroom
scenes that are raw, sensuous, and real. I don’t make them erotic but it has a
passionate touch to it. I explore women’s desires and men’s needs. In a society
where everything is closed doors, I am trying to write about what is natural and
beautiful. I would not like to be labeled as just another chick lit author and
be ignored.
What is the social significance of
chick lit?
Any piece of good writing is
important. We must not all strive to be a Salman Rushdie. We need to have
different voices in society and a nation that accepts those voices as well.
Women’s stories are essential to give identification and empowerment to other
women.
Is chicklit a fitting genre to
approach issues of sexuality, feminism and self-identity?
No it is not. It is a horrible
classification. We NEED another category for writers who want to write about
sexuality, feminism and self-identity that I do with my novels. I sincerely
hope the PUBLISHING world finds a new classification so I can be slotted into
that rather than a chick lit writer.
Do you think that books aimed at
women are becoming increasingly homogenised or girly?
Partly. But it’s a vicious cycle. If
one book does well then publishers want authors to write the same genre to sell
more copies. For example, with the success of 50 Shades series, all Indian
publishers want to venture into the erotica genre. So then, the market is
flooded with the same type of books. It has happened the same way with the
“girly” books because one book sold well many years ago. That is why I’ve tried
to stay clear of stale writing and usual topics. I may have a female
protagonist but it doesn’t mean she needs to behave the same way as others.
Love is fine for a classic like
Madame Bovary or Anna Karenina but if the heroine is a modern girl juggling a
job and a love life, many turn contemptuous. Why? Are we squeamish about love
as a topic?
The bookstores are flooded with
stories on love. Hence the overdose has created an over discerning, jaded
buyer. As soon as they see “love” on the cover, they think that one book is as
good as the next. I didn’t realize this till my book Mistakes Like Love And Sex
came out. I thought it was a quirky title and it was apt with the book that had
betrayals, bad boyfriends, and bedroom antics. However, since it has “love” the
reader doesn’t know if it’s the same ol’ story seen on the shelf time after
time. But when you go to read my book you will realize that it’s NOT A CHICK
LIT. It will be a story you’ve never read before.
How did working on commercial
Bollywood films influence your fiction?
Working as an Assistant Director to
Subhash Ghai and Kaizad Gustad gave me access to a few Bollywood stars and
behind the scenes news. I was even an Executive Producer at Zoom TV working on
a reality show for Miss India. All this was churning in my head when I was
writing both my books. Losing My Virginity And Other Dumb Ideas has Kaveri as a
participant on a reality show. Mistakes Like Love And Sex has Kaveri becoming a
tutor-assistant to a new actress Bela Bandhan who is an amalgamation of the
actresses I’ve worked with. My fiction has to come from a real place otherwise
it won’t be believable. I have actually visited Milan, Barcelona and New York
that I write about in my books. Hence I can describe it well enough for readers
to visualize it.
Who is the reader you have in mind
while writing?
No one. I do not have a reader in
mind. I only have a story and characters that go through scenes that I see
clearly in my mind.
Is literature elitist?
Any writing beyond the last 30 years
is elitist. Old is presumed gold.
Tell us a myth about Indian women.
It’s a myth that Indian women do not
enjoy sex. With the right man, and enough foreplay they will always love it!
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