Showing posts with label Author. Show all posts
Showing posts with label Author. Show all posts

Saturday, May 14, 2016

Review: Before We Visit the Goddess by Chitra Banerjee Divakaruni


Before We Visit The Goddess
by Chitra Banerjee Divakaruni

Before We Visit The Goddess is a beautiful tale of three generations of women who have loved, lost, and misunderstood each other over a span of a lifetime. It’s a bittersweet tale of motherhood of three women Sabitri, Bela and Tara woven through a tapestry of different perspectives in first person and the people who were important in their lives. 

Before We Visit the Goddess is a story of immense alienation felt in myriad ways and the deep need to connect to the ones you love. Each mother has ambitions for her only child, only to be scorned and rejected until the final twist when redemption suddenly comes but it might be too late.

The novel may seem linear in format but through the narrations we flicker back in time to go more in depth with the characters’ thoughts and reasons. It’s a story of how small incidents can alter relationships and how time can manipulate your ego to hold on to grudges long after the memory has faded.

Sabitri’s mother is a master at making sweets, a talent that leads to her daughter getting favours from a rich household that allows Sabitri to go to school. Sabitri’s story is a heart warming tale of a young girl who is tenacious enough to learn everything her mother wanted, but falls into a trap, disappoints her surrogate mother Leelamoyi and must start over again; a theme that is repeated in different ways through Sabitri’s daughter Bela and her daughter Tara. Sabitri’s encounter with a stranger and her choices set off a series of events that are intricately related to the lives of her future generations.

Bela, Sabitri’s daughter is passionate and fiery, exactly like her mother but makes choices that break her mother’s heart. She lives a life full of love and loss until she finds small happiness in the unlikeliest of places through a stranger.

Tara’s story is one of a typical American Born Confused Desi with a fantastic new angle. Her desire to fit in, stand out and be accepted is told in a new way until again like her mother, it’s an encounter with a stranger and not someone she loves that sets her on a new path.

Each woman grows through the years and changes to understand herself better and as readers we see how similar they all are. Regrettably only we readers can understand how deeply connected their choices are and the depth of their immeasurable need for their mother who they reject until maybe it’s too late.

This book could have also been called Fortunate Lamps from the letter Sabitri starts writing to Tara: “Good daughters are fortunate lamps, brightening the family’s name. Wicked daughters are firebrands, blackening the family’s fame.”

Whether they are Fortunate Lamps or not, is left to the reader to decide.


Chitra Banerjee Divakaruni is a master story teller and she has outdone herself in this novel, weaving in narratives from a male and female viewpoint, leaping through decades and pausing for the moments that we over look in life but the ones that actually matter. This book is tender, sublime, beautiful and evocative. You are sucked into the worlds that seem familiar but are always out of reach. One is moved by the stories of each of the characters, not just the three main women. 

I truly loved Palace of Illusions and it was my favourite novel for a long time until BEFORE WE VISIT THE GODDESS came along and has toppled it. Kudos Chitra. Didn’t want this book to end though it has remained with me long after I finished it. 

http://www.flipkart.com/before-visit-goddess-english/p/itmefsp6dsspdvg7?pid=9781471146930

Monday, February 29, 2016

Book Review: In Other Words - Jhumpa Lahiri.


I am reviewing this book under the Flipkart Book Review Program.

It is my unbiased opinion.

Jhumpa Lahiri’s new book In Altre Parole is a memoir written in Italian and translated into English In Other Words about her journey to find her identity through language. Born as a Bengali Nilanjana Sudeshna, Jhumpa has recreated herself several times through her books bringing out the issues of exile, alienation and identity. In her first nonfiction attempt she chooses to give us a glimpse of the two years in her life when she moved from USA to Italy where she stayed with her Spanish husband and two children (Octavio and Noor, again breaking from the true form of identity through name for them.)
The book is beautifully written, full of angst of the author to find a new voice and identity through language. In the world, there are Trans Gender people who want to completely change themselves because they feel they belong to the other gender. Jhumpa is “trans linguistic” because in her heart she feels she is neither Bengali even though she was born to Bengali parents nor English because she was raised in London and USA but feels more Italian because she chooses it and intrinsically had felt so for many years.
While the book is interesting to read, after a point the reader may feel “What’s the big deal? It’s only a third language she is learning and we know Hindi, English, Marathi, Bengali and even French or Spanish!”

The book is evocative, truthful and a slice of Jhumpa Lahiri’s life and work. Not many authors have crossed over to new languages to write and Jhumpa through “In Altre Parole” urges writers to go beyond their comfort zones and to do more for their craft. But more than that it didn’t leave me as riveted as The Lowland or The Namesake. I hope Jhumpa continues to write stories in English, not just for the awards that she will gather no doubt, but because she has the gift of storytelling that must not die in any language.  

Tuesday, December 15, 2015

The Bollywood-isation of Lit Fests: Coming soon to your city!

Once upon a time a Lit Fest was about writers and authors who met and discussed words that inspired and writings that roused thought. It was about discussions and debates between writers who were published and those that wanted to be. It was about chats and conferences that were enchanting and made you feel you were in the presence of something great.

There was a magic all around that flooded your very being and made you understand that the daily rut of life was not all there was. There was a Lit Fest -  a meeting of brilliant minds.

I remember I stood in line at the Jaipur Lit Fest many years ago to get an autograph from an author who had moved me with his novel when I was an adolescent. His words had transformed me to the person I wanted to be. And I wanted to be an author too.

Today, the Lit Fests seem to be about celebs and page 3 individuals who speak well and may have written one novel and a column or two. Literature has truly been extinguished in the name of drawing crowds.

Today everything is about a number. How many copies did the book sell? How much money did you spend on the PR? How many people came for the Lit Fest? How much coverage did the fest get? How many sponsors did they have? No one truly asks  - how many books were sold?!

If everyone is going to a Lit Fest to watch a TV celeb, a Bollywood actress or a filmmaker, who are the people who are buying books to read?

Where has the Literature gone?

Why is the craze today so much about glamour rather than substance? It’s wonderful that so many new celebs are writing. The writing process should never die. And creativity should always be encouraged from everyone. 

But Lit Fests should be about real authors who write for passion, not money, for inspiring, not publicity, for breaking the norms, for encouraging debate, and for challenging themselves as writers, not so they can do something different with their lives!

Most authors are a shy bunch of people, preferring to stay in their small worlds writing furiously because the art of creating something brings them tremendous peace and hopefully moves people to think, feel and reflect. But today every author wants to be “commercially successful” rather than poignantly remembered.

Lit Fests have become about money, businesses, glamour and products – of authors and their books.

I would love to attend a Lit Fest that had lesser known commercially successful Indian authors mingling with well-known Japanese ones. Have a clash of discussion on societies, traditions, and the process of writing, ideas, inspiration and struggle. Instead we’ve become a nation that wants to watch only glamorous people entertaining us.

Please do attend Lit Fests but not just to see a Bollywood star, but to pick up a book you never thought you would read, to recognise the power of regional writers, to ask for tips on writing from someone you have never read and listen to a panel that may not interest you and above all to be around people who believe in the power of words, not numbers! 

Monday, March 11, 2013

An Interview with Chitra Banerjee Divakaruni: From one author to another

I remember I was just a teenager in Lucknow when I picked up Chitra Banerjee's Mistress of Spices. I was so enamoured by her writing that I devoured all book shops to find everything that she had written. And since then I have been picking up every book of hers. She writes with an incredible flair and depicts her characters and situations with such intricate textures that one is simply mesmerised by the end of the book.

She has won several awards across the world and won many hearts along her journey. She is warm, friendly and very down to earth. When I met her for the first time at the Jaipur Lit Fest, she was sitting with a cup of chai under a tree most willing to give autographs to whoever recognised her and blushing at the praise when many people wanted to take photographs.

Her latest book Oleander Girl will be released in April in India.

I had the pleasure of interviewing my favourite author. This is the first part of the two part series.

The Interview: Chitra Banerjee Divakaruni
1. You have been in the United States for several decades, yet you write about a deep rooted Indian mentality in your books. Is it easier to write about Indian tales and characters than American ones?
My stories deal with people of various racial backgrounds, but it is true that I am most interested in writing about Indians or Indian Americans. My deepest knowledge is of the Indian psyche. My stories are often set in America, so they often depict Indians in an American landscape.
2. How do you take inspiration from your surroundings while writing?
I actually go into the world of the imagination as I write. I like to write in a quiet space in my study with no outside stimulus.
3. Do you think of a plot first or do character sketches?
Character is always most important to me. In Sister of My Heart, I had to first understand the characters of the two cousins, Sudha and Anju, and the character of the old mansion they live in. In Palace of Illusions, I made copious notes about Draupadi, who is the narrator and heroine of the book.
4. What was the one incident that made you want to write? Did you want to do anything else besides be a writer?
I always wanted to teach, and I do that even now. I teach Creative Writing in the University of Houston. My grandfather’s death made me into a writer because I felt a deep need to preserve my memories of him through writing.
5. Do you prefer writing or teaching? Why?
I love them both. Each one complements the other. Because I write, I can teach writing. Because I teach, I read and analyze important new novels carefully.
6. What are the top 3 things that you would teach your writing class that no one in India knows about?
I teach my students to read widely and read as a writer, taking texts apart, analyzing craft techniques and structure. I tell them to write regularly, show their work to someone knowledgeable, and revise carefully. (Writers in India may already know this!)
7. Between poetry, short stories, novels; fantasy, young adult, magical realism, historical fiction, which one is your favourite? What moves you to write one genre over another?
Novels are my favorite. They are very intricate. You create a whole world when you write a novel. I love that challenge.
8. Do you write one book/ poem/ story at a time or are there many thoughts that you pen down together?
One at a time.
9. Tell us the process of writing a book from an idea to culmination. Do you have a structure, characters in mind or is there what writers call an“organic growth” in the thoughts?
I outline and take notes, but then I allow the organic growth to take over.
10. Do you write everyday? If so, where is your favourite place to write? A desk, a room, café?
I write about 3 days a week (I teach the other days). I write at home in my study where it is quiet.
11. How do you overcome distractions while writing? With family and your involvement with non profit organizations, teaching, etc how do you find time to focus and what tips would you give to others who have a busy life to find time for writing?
One needs to set aside time for writing and organize one’s life so that no other responsibilities need to be handled at that time. This might mean waking up early, or writing till late at night. It also helps if we can simplify our life and cut out unnecessary activities.
12. Did you always write what you wanted and it was published or were you commissioned to write books for a particular market?
I always come up with the ideas for my books on my own.
13. When you started writing The Palace of Illusions which is my favourite book, did you do a lot of research and then take the story forward? Was the history a burden while writing? What was the one thing you wanted to keep in mind while writing the book?
Yes, I did a lot of research. Yes, it was hard to organize the material. I kept in mind that I wanted to show how Draupadi is a very human, very timeless woman.
14. Was it difficult to explain the concepts of India – arranged marriage, Draupadi’s vastraharan, the mysteries of family and relationships in India to a foreign audience or students?
Sometimes when I am reading in the above situations, I have to explain and set up the scene. But overall I find readers are intelligent enough to get the human story under the cultural details.
15. Do you ever have a target audience in mind while writing?
No. It’s important just to write the best book possible.
16. Is marketing an important part of your journey as a writer? Or did you write and the book sales managed themselves? Is it easier to sell copies in USA or India?
Nowadays my publisher requests me to go on book tour to help bring the book to many different audiences. Beyond that, I don’t worry much about book sales since they are not in my hands anyway.

Sunday, January 6, 2013

The Change Begins With Us: Safety, Respect, Love - A discussion

Thoughts and ideas, anger and frustration, problems and solutions had been stewing in all our minds ever since the gang rape of Jyoti Singh Pandey on December 16th in Delhi.
Mukesh of www.storizen.com invited 6 authors to discuss and vent out all their feelings, ideas and solutions.

It was one of the most wonderful Saturday mornings to be part of a discussion that could be intellectual and yet identifiable. We thrashed many things and came out with further resolve to do something more with our lives.

Hope you enjoy the session.
For more info you can get in touch with mukesh@storizen.com,
 

The 6 Authors:

Yashodhara lal 
Madhuribanerjee

Ismita Tandon 
Manreetsomeshwar
Radh Thomas
Christina Daniels

http://youtu.be/h8c-jiCxzQc

Sunday, January 8, 2012

Authors Speak About Writing: A Chat With Preeti Shenoy and Madhuri Banerjee

I was chatting with my friend Preeti Shenoy on BBM today and we felt that it was such a nice conversation that we should share it with more people. I loved how we could go from chatting about random things to talking about the writing process which we hope to do more often. I feel rejuvenated when I speak to fellow authors about work. It gives me a new perspective. This is the first part of our chat.

Preeti Shenoy

A Chat Between Two Female Authors:

Preeti Shenoy: I must tell u something interesting. I was googling to read ur blog.
Madhuri Banerjee: Ya
Preeti Shenoy: So I type in madhuri banerjee, and it suggests “madhuri banerjee husband”
Madhuri: Hahahaa
Preeti Shenoy: So many must be googling
Madhuri: Husband as in apply for husband?
Preeti Shenoy: People must be curious I guess!
Madhuri: Hahahah. That wd be nice tho… I always wanted a swayamvar...
Preeti Shenoy: I read that article on your blog…Abt three scenarios of extra marital affair.  I really liked the piece. (called http://madhuribanerjee.blogspot.com/2011/05/like-virgin-my-article-printed-in-may.html?showComment=1314183776216#c810228338668822319)
Madhuri: Oh thank u
Preeti Shenoy: :)
Madhuri: Wanted to ask u a question
Preeti Shenoy: Do ask
Madhuri: When u were writing ur second book and third, where did u draw ur creativity from?
Preeti Shenoy: Second is based on true story
Preeti Shenoy: All people based on real life characters
Madhuri: Someone u knew?
Preeti Shenoy: Yes
Madhuri: Oh ok
Preeti Shenoy: Third also
Preeti Shenoy: Based on real life people
Madhuri: Ok
Preeti Shenoy: And real incidents
Madhuri: Wow
Preeti Shenoy: And some happened to me
Madhuri: I can imagine
Madhuri: Ok another one
Preeti Shenoy: Yes
Madhuri: How wd u structure ur book? Anything in mind or just write?
Preeti Shenoy: No I plan
Preeti Shenoy: How do u write?
Preeti Shenoy: I need an outline
Madhuri: 3 part? 4 part?
Preeti Shenoy: I need to know what happens in each chapter
Preeti Shenoy: I need some structure
Madhuri: Really?
Preeti Shenoy: Yes
Preeti Shenoy: Then as I write
Preeti Shenoy: I might juggle
Preeti Shenoy: Or make adjustments
Madhuri: I need a 4 part structure but don’t plan what’s happening in each chapter beforehand
Preeti Shenoy: Ok
Preeti Shenoy: I need details :)
Madhuri: 1st part is to set up the story, 2nd part is to give more definition to the characters, 3rd part is the build up of conflict, and 4th part is the resolution. Each part having a definite number of chapters so I know where to stop and begin the next part.
Madhuri: Ok tell me something, what’s the most difficult part? The beg or the end?
Preeti Shenoy: Beginning surely. And then deciding which POV to tell story from. Then pouring emotions into it. What’s yours?
Madhuri: For me both the books ending..
Preeti Shenoy: What is second book?

Madhuri: A sequel
Preeti Shenoy: Nice!!
Madhuri: Really tough. Most anxious. Apprehensive

Preeti Shenoy: Will surely read!!
Madhuri: Thanks (hug)

Preeti Shenoy: U finished writing?
Madhuri: Writing 4th part of book.
Preeti Shenoy: Ok
Madhuri: Another 25,000 words to go
Preeti Shenoy: Ok
Madhuri: Feel a little lost sometimes `cos don't want my character to come off wrong or clichéd. So taking my time. Didn't realize trilogies are so tough!
Preeti Shenoy: Ok--for me after sometime characters just do what they want to do!
Madhuri: Ya
Preeti Shenoy: I don't know if that makes sense
Madhuri: Ya it does
Preeti Shenoy: It’s like one loses control no? Crazy it sounds. But its true.
Madhuri: Ya and that character is its own person.
Preeti Shenoy: Yes!
Madhuri: Unlike me. That character is so not me.
Preeti Shenoy: Yes!
Madhuri: And sometimes I hv to not put MY thoughts into her or him
Preeti Shenoy: Oh yes
Madhuri: Cos that's not how they would react. You have to be careful how the character reacts to situations and how you would react to situations and not mix the two.

Preeti Shenoy: And sometimes something which affected me… it always finds its way..into the writing.

Madhuri: Oh always! That’s why my column in Asian Age/Deccan Chronicle is Kaveri Love Guru. It’s her viewpoint and not really mine. She’s the single one, you know..
Preeti Shenoy: Nice! :)

Madhuri: But I need to draw more though, become better, hv better language, deeper vocabulary...
Preeti Shenoy: Oh--that is always a constant quest for me :)

Madhuri: I read so much and wish I could write like that.

Preeti Shenoy: I admire Catherine Alliot. I read a LOT too. And totally admire sheer brilliance in writing

Madhuri: Ya me too

Preeti Shenoy: Who all u like to read?

Madhuri: David Davidar. I also like Siddharth Dhanvant Shangvi’s prose but his books really move me to tears. They’re beautiful and sad.

Madhuri: Ok look u go hv lunch

Preeti Shenoy: Yup

Madhuri: Ur not gonna get time later

Madhuri: We'll chat soon

Preeti Shenoy: Good talking to u abt writing--something I rarely do!!

Madhuri: Let's do that more often :)

This is where our conversation ended for now... I'm hoping to have more conversations with her. I'm also hoping I can rope in a few more authors for a full fledged discussion on the writing process.  Looking forward to that soon. Will keep it posted here.

Below are the 2 books covers of our latest books:
http://preetishenoy.com/









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